A beauty salon in a city ravaged by a mysterious disease becomes a refuge for the afflicted as they linger between life and death.

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Ana heads with two friends to a wedding. She has the illusion of meeting someone, but her expectations change when one of them reveals to her that her ex seems to be going to the party.

A marquee stands on a sprawling Prague housing estate and is home to two young bricklayers, who have all sorts of life experiences waiting for them in the city. Around the two rural bricklayers absorbed by the big city, the entertainment is more than a little embarrassing, toothless, revealing that at the height of normalisation, even the jolly genre of drama fared poorly, and any satirical allusions were especially undesirable. With no sense of humorous exaggeration and no wittily punctuated plots, the story unfolds, showing how the characters, living in a marquee standing on a sprawling estate, face all the pitfalls of the "big world"...

After her boyfriend's death, a successful executive finds some unfinished scripts in the dead man's computer, and decides to make a film of them. Her relationship with the world of movie-making is going to change her life.

In this remake of the 40's classic, two lovers murder each other, leading to an investigation and the closing of the Saln Mxico, a famous place where people used to go to dance before WWII. The police investigation leads to several flashbacks about the life and death of a low-life dancer named Mercedes (Maria Rojo) and her lover.

Andres is a worker in a salt mine, he is counting down three more months for the mine to be finished an then be married to Clara, his true love, but the fate has different and obscure intentions for them.

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